African Diasporic Retention: Carnival
- Understand carnival as an expression of African diasporic history
- Explain the meaning of the terms circum-Atlantic memory and socio-cultural density
- Gain an awareness of the meaning of the society of the spectacle
- Experience carnival dance choreography
Main Lesson
Carnival, the merrymaking and festivity that takes place in many Roman Catholic countries in the last days and hours before the Lenten season. The derivation of the word is uncertain, though it possibly can be traced to the medieval Latin carnem levare or carnelevarium, which means to take away or remove meat. This coincides with the fact that Carnival is the final festivity before the commencement of the austere 40 days of Lent, during which Roman Catholics in earlier times fasted, abstained from eating meat, and followed other ascetic practices. The historical origin of Carnival is also obscure. It possibly has its roots in a primitive festival honouring the beginning of the new year and the rebirth of nature, though it is also possible that the beginnings of Carnival in Italy may be linked to the pagan Saturnalian festival of ancient Rome.
1
What is you impression of Havana's carnival in 1961?
2
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Question 5
3. What do you think about the concept of socio-cultural density posed by Benitez Rojo?
LINK
Society of the Spectacle by Guy Deborg
Question 8
According to Deborg, what makes the spectacular society vulnerable?
IV
A Note to Remember
The
African diaspora has left traces of their
religious, cultural and social practices all over the continent. Carnival is one of the events
that illustrates the impact that African cultures have had on Westernized
culture since its insertion.
V
Case Study
Katherine Dunham
Katherine Dunham (1909 - 2006) was a world famous dancer, choreographer, author, anthropologist, social activist, and humanitarian. Born in 1909 during the turn of the century Victorian era in the small town of Glen Ellyn, Illinois, she became one of the first dance anthropologists, started the first internationally-touring predominantly black dance company with its own codified dance technique, became one of Hollywood’s first African-American choreographers, and authored many scholarly books and journalistic articles on dance and in the Caribbean.
Katherine Dunham On Dance Anthropology
Question 9
Why is Dunham and important example of a dancer who saw dance as a subject of study.
VI
Activity 1
Students choose an Afro-diasporic carnival dance to study and turn into a movement phrase.
Brazil / Bahia
Trinidad-Tobago
Haiti
New Orleans
Cuba
Activity 2
Students learn and dance comparsa steps accompanied by Michael Pluznick and Friends :
basic
cross
turn
VII
Journaling
VIII
Glossary
IX
Sources
Katherine Dunham. https://www.dunhamcertification.org/katherine-dunham-bio
Katherine Dunham on Her Influence on American Dance. https://www.loc.gov/item/ihas.200003839/
Carnival: Pre-Lent Festival. https://www.britannica.com/art/Fastnachtsspiel
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Students' Work
Make Up Work
Havana's carnival in 1961 was a blast, showing off the city's lively vibe and strong cultural traditions, even amid political tensions.
Total party vibe, probably packed with energy, music, and vibrant traditions.
It's a big deal for Afro-Caribbean culture, showcasing rich traditions, music, and celebration in a huge way.
They were certainly different with one being mainly positive and the other being mainly negative for varying reasons
It's a massive, colorful party with fantastic music, wild costumes, and non-stop dancing. It's the ultimate celebration of Caribbean culture!
"Circum-Atlantic memory" refers to shared experiences among people of African descent across the Atlantic, shaped by slavery, colonialism, and cultural exchange.
Benitez Rojo thinks carnivals are like big parties where the world's quirks and contradictions are on full display, turning everything into a funhouse mirror of reality.
Benitez Rojo's idea of socio-cultural density is all about how cultures are super intertwined and rich with different stuff.
Guy Debord thinks the spectacular society's weakness is that it depends too much on surface-level stuff and passive consumption, hiding the fact that people are actually feeling disconnected and unhappy.
Katherine Dunham saw dance as a subject of study, blending her expertise with academic research to explore its cultural dimensions.
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